My sound art practice seeks to explore sonification for the creation of installation, performance and composition. My focus includes biological sonification, microscopic sonification and sonfication concerning human psychology. By sonifying non auditory sources I aim to see how this may create new dialogues between selected stimuli and an audience. Influenced by the development of modern society, my practice researches how sonifcation may be used to access hidden voices of the world around us. With a thematic focus on flux and ephemerality, my practice draws on interpersonal relationships and the human condition.